DEJANNA
Animation Production | Executive Support
disney television animation | 2022-2025
moon girl and devil dinosaur
After 13-year-old super-genius Lunella accidentally brings ten-ton T-Rex Devil Dinosaur into present-day New York City via a time vortex, the duo works together to protect the city's Lower East Side from danger.
Joining the Marvel’s Moon Girl and Devil Dinosaur team for two and a half years was a unique experience and an invaluable learning opportunity. Alongside supporting studio operations and the day-to-day needs of production, I gained hands-on experience with asset and file organization, production documentation, color process workflows, and team communications. I also supported executive scheduling, travel and expenses, awards submissions, and crew engagement, balancing administrative responsibilities with the evolving needs of production.
Beyond the technical and organizational skills I developed, this team had a lasting impact on how I view collaboration and leadership. Through observing and working alongside the team, I learned how leading with empathy, kindness, respect, and excellence can foster an environment where people feel supported and a project can thrive. I carry these lessons with me as I continue to grow in animation production and creative operations.
Department Secretary/Executive Assistant & Production Assistant
Production tools: Google Sheets/Excel, Outlook, Insight
Focus areas: Production operations, executive support, asset organization, workflow coordination, and team communication.

Animated short film | scad animation studios | 2020-2021
hex limit
A not so classical witch races to win the title of champion through a cyber-fantasy city.
The second official film I worked on at SCAD Animation Studios, Hex Limit was the largest production I supported, bringing together a team of 83 artists. Working closely with the Director, Associate Producer, Professor, and artists, I helped organize the pipeline, coordinate production schedules and tasks, maintain project organization, and support communication across the team.
Working on Hex Limit gave me the opportunity to support a large animation team while collaborating closely with creative leadership. The experience strengthened my ability to organize production information, coordinate team workflows, and help maintain communication throughout a complex animation project.
Producer
Team size: 83
Production tools: Google Sheets, ShotGrid Studio, Syncsketch, Dropbox
Focus areas: Production tracking, asset management, team communication, and workflow organization.

Animated short film | scad animation CAPSTONE | 2020-2021
tea dragons
Two stubborn elderly men run competing tea shops, after years of rivalry, their feud comes to a head and they don't even realize the danger around them...
Working on Tea Dragons challenged me to navigate the balance between creative ambition and production realities. As part of a small team, a major part of my experience involved identifying scope concerns, navigating difficult conversations, and helping find practical solutions that supported both the project and the people working on it.
Producer & 3D Animator
Team size: 12
Production tools: Google Sheets, ShotGrid Studio, Syncsketch, Dropbox
Focus areas: Two stubborn elderly men run competing tea shops, after years of rivalry, their feud comes to a head and they don't even realize the danger around them...

As production progressed, it became clear that the original scope of the film was too ambitious for our team's available capacity. To create a more manageable workload, we made the difficult decision to reduce the film's scope by cutting approximately half of the planned content and removing a character.
Navigating these changes required thoughtful communication, collaboration, and a willingness to reassess creative priorities. The experience reinforced the importance of identifying production risks early, addressing challenges directly, and finding solutions that balance the creative vision with the team's time and resources.
People management was an important part of this project. Working through difficult conversations and changes in direction taught me the value of clear communication, empathy, and understanding how production decisions affect the wider team. I learned that effective production management isn't just about keeping a project on track—it's also about recognizing when a plan needs to change and helping the team navigate that change together.
Tea Dragons strengthened my understanding of scope management as both a logistical and creative responsibility. It taught me that successful production sometimes means rethinking the original vision, making difficult decisions, and building a plan that gives the team a realistic path forward.
Animated short film | scad animation CAPSTONE | 2020
BEARLY
A young bear resists nature's call to hibernate and experiences the mysteries of the changing seasons in this short film from SCAD Animation Studios.
Bearly was an important learning experience in my development as a producer at SCAD Animation Studios. I was grateful for the opportunity to step into the role of Associate Producer and learn alongside Producer Cameron Brown, who mentored me throughout a six-month shadowing experience. During this time, I gained hands-on exposure to ShotGrid Studio and learned different ways to document, organize, and distribute production information across a team.
As Associate Producer, I was responsible for taking meeting notes for the 2D Department and distributing relevant information and communications to the wider team as needed. This work helped keep team members informed, supported communication between departments, and reinforced the importance of clear, accessible production documentation.
Associate Producer (Production Assistant)
Production tools: Google Sheets, ShotGrid Studio, Syncsketch, Dropbox
Focus areas: Asset management support, team communication, note-taking

Through shadowing the Producer, I also developed a foundational understanding of ShotGrid Studio and how production tools can be used to organize information and support team workflows.Working on Bearly gave me a deeper appreciation for the time, effort, and passion that go into bringing an animated project to life. I saw firsthand how much successful production depends on a cooperative team, as well as dedicated, motivated individuals who bring positivity and commitment to their work.
My experience on Bearly helped shape my understanding of what it means to support a production team—not only through documentation and communication, but also by contributing to an environment where people can collaborate, stay informed, and work toward a shared creative vision. The mentorship and hands-on experience I gained continue to inform my approach to animation production.